Art of Living


The art of living is the greatest, most important art'. The art of living means to lead a daily life with the tremendous precision and accuracy of order. Order does not mean conformity, following and adjusting yourself to a pattern. It means to become fully conscious, aware of one’s disorder. Inwardly we live in disorder and contradiction. In the endeavour to change ‘what is’ to ‘what should be’, there is an interval in which conflict takes place. And that conflict is the essence of disorder. Where there is division in us psychologically, there must be conflict and therefore disorder. As long as there is disorder, trying to find order is still disorder.

Is it possible to live in this world without problems and conflict? For most of us life, our daily living, is a series of struggles, conflicts, pain and varieties of anxieties. But is it possible in this crazy world to live a life in which every kind of problem and conflict doesn’t exist? It may sound rather absurd to think about such a thing, to live without a single conflict. The inquiry into this question requires considerable intelligence, energy and application. So if we could think together, go into this problem of whether there is an art of living in which one can live a daily life without all the turmoil, the pain of change and the anxiety involved in that change. Is it possible to live such a life? To ask such a question may seem quite incredible because our life from the moment we are born till we die is a series of conflicts and struggles, with ambition trying to fulfil itself, and the pain, sorrow and pleasure of existence.

We have many arts: painting, making a marvellous shoe, the art of engineering, the art of communication—there are many, many arts. But most of us have never asked this question of the art of living. The art of living is the greatest, most important art. In spite of that, we have not inquired deeply in what is the art of living our daily life, which requires such subtlety, sensitivity and a great deal of freedom. Without freedom, you cannot find out what is the art of living. It is not a method or system. It is not asking another how to find the art of living, but it requires considerable intellectual activity and deep abiding honesty.



Very few of us are honest. It is getting worse and worse in the world: we are not honest people. We say one thing and do another, we talk about philosophy, God, all the theories the ancient Indians invented, and we are rather good at all that kind of stuff. But the word, description and explanation are not the deed or action, and that is why there is a great deal of dishonesty. To inquire into the art of living there must be a fundamental, unshakeable, immutable honesty, an honesty that is not corruptible, which doesn’t adjust itself to environment, demands or various forms of challenges. It requires great integrity to find out because we are dealing with a very complex problem. It is not easy to live a perfectly orderly life that does not dissipate energy, a life without illusion or tradition. Tradition, however old or modern, is merely carrying on the old pattern, and the old pattern cannot possibly adjust itself to the new.

So you are exercising your brain, with your own sense of urgency and demand, to find out if there is a way of living which is totally orderly. So please, if you will, be serious. You may not be serious for the rest of the year, or rest of the week, but at least for once in your life be earnest, be completely honest with yourself. Then we can together go into the question of the art of living. How are we going to find out? Art is to put everything in its right place, not exaggerating one thing or the other, not giving more importance to one’s instinct or urges in one direction and neglecting the other.

So, order is only possible when we understand the nature of disorder. The nature of disorder can be totally wiped out. If I am quarrelling with my wife or husband, I find out why we are quarrelling. We say, ‘Let’s talk about it, see why we quarrel,’ and thereby we begin to communicate with each other and ultimately come to a point where both of us agree. So similarly, together, to live a completely orderly life—that is the art of living.

Change from ‘what is’ to ‘what should be’ is one of the causes of fear. I may not ever arrive, and I am frightened of that. I am also frightened of what is going on now, and of the past. But what is fear itself? How does it come about? If you and I can walk together, journey together into the nature of fear, and you capture the truth of the cause of fear, then you are free. Unless you want to be frightened for the rest of your life, which makes you feel at least you have something to hold on to.

What are the past, the present and the future? The past is all that you have accumulated as memory, the remembrance of things gone. The present is the past, modifying itself into the future. So you are the memories—the whole accumulation of the past. You are that, a bundle of memories. If you had no memories, you would not exist. So you are that. The past has been gathered through time: I had an experience a week ago, and that experience has left a memory. That memory is born from past experience. When I use the word ‘past’, it is already time. So the past is time. The past is knowledge and experience, stored in the brain as memory, and from memory thought arises. So time and memory are the past, and time and thought are the same, not separate.

So, fear is both time and thought. I did something a week ago, which caused fear.   I remember that fear and I want to prevent it from happening again. So the past incident caused fear, and it is recorded in the brain as memory. That recording is time. And thought is also time because thought comes into being through memory, knowledge or experience. So thought and time are together, not separate. And is time-thought the root of fear? Don’t say, ‘How am I to stop time and thought?’ If you ask ‘how’, you demand a system, a method, and you will practise it, which means time, and you are back again in the same old pattern. But if you understand, grasp, have an insight into the nature of fear and the causation of fear, which is thought and time, if you really grasp that, then hold it, don’t run away from it.

Fear arises from something that has happened before. The pain of yesterday is recorded and the memory, which is the recording, says ‘I hope it won’t happen again.’ This whole process is fear. If you understand the principle of it, the fundamental nature of fear, you can deal with it, but if you are escaping from fear, trying to rationalise it, then for the rest of your life you are frightened. So, the root of fear is time-thought. If you understand that, you see the beauty and subtlety of it.

Death is one of the fundamental fears of life. Death is for everybody an absolute certainty. You cannot escape from it. You might live longer by not wasting your energy, by leading a simple, sane, rational life, but however you live, death is inevitable. Would you face that fact? What is the art of living so that one is not afraid of death? Why are we afraid of death? Why is there this torment and suffering of leaving one’s family and all the things one has accumulated? The art of living is not only to find out how to live our daily life but also to find out the significance of death. What is death? What do we mean by dying? If we can understand that, then life and death can live together, not death at the end of one’s life when the organism ends, but to live with death and life together. Put this question to yourself, whether it is possible to live with death—which is the art of living. To find that out, you must find out what is living, which is an art. If there is right living, perhaps death is also part of it.



So, what is living? You have to answer this question for yourself. What is your life? What is your daily life? Your life is a long series of daily lives, which is pain, anxiety, insecurity, uncertainty, illusory devotion to some entity you have invented, a make-believe life, having faith and belief. You are attached to your house, to your money, to your wife or husband, to your children. You are attached. This is your life, constant struggle, effort, comfort, pain, loneliness, sorrow. And you are afraid to let that go. I am attached to my furniture. I won’t give it away; it is mine. I have lived with it for years, and it is part of me. When I am attached to that furniture, that furniture is me. But death says to you, ‘My friend, you can’t take it with you.’ So can you be totally free of that attachment to that furniture? You may live with that furniture, but you are free of attachment to that. That is death. So you are living and dying all the time. See the beauty of it! See the freedom that gives you, the energy and capacity. Where you are attached, there is fear, anxiety and uncertainty. Uncertainty and fear cause sorrow.

Sorrow is part of life. Everyone on earth has suffered, shed tears. Man has killed man throughout history in the name of religion, God and nationality. Man has suffered immensely. And we have never been able to solve the problem of suffering. Where there is suffering, there is no love. In suffering, there is self-pity, fear of loneliness, separation, division, remorse, guilt—all this is contained in that word. Not having solved it, we put up with it, shed tears and carry memories. Is there an end to sorrow, or must we carry this burden for ever and ever? To find that out is also the art of living. The art of living is to have no fear or sorrow. So that is one of the problems of life, whether it is possible to live without sorrow.

Death, of course, is the final sorrow. But if you are living with death and life together, there is no change. You are incarnating every day afresh—not you; a new thing is incarnating every day afresh. In that, there is great beauty. That is creation. In that, there is tremendous freedom. Freedom implies love. The art of living and the art of dying, together, bring about great love. Love has its own intelligence, something outside of the brain.

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